“All the world’s a stage.” – William Shakespeare
A lot of focus has been called to attention on the 2012 Olympics London Opening Ceremony, especially in the midst of the “coronavirus” situation we find ourselves in today, (as well it should, there are a lot of interesting correlations and eerie predictive programming in that event), but lesser attention has been paid to the closing ceremony that also espouses some strange and somewhat alarming connotations.
In the closing ceremony, many references to famous poems, plays and novels appears in a newsprint like fashion splayed all across the floor. Looking closer, I wanted to compile a list of these literary works to expand upon what the 2012 ceremony might have been focused on, because as strange and foreboding as the opening ceremony was (which will be focused on in a separate post), the closing ceremony may hold just as many hints as to what is going on in the world today.
So with that being said, I am going to present a list of the works that I’ve seen from the performance (not an exhaustive list since I couldn’t catch all of it – if there is a full reference to the pieces of work that was displayed, please let me know and I will add it to this list), and a short excerpt/section from the writing, and perhaps a small commentary explaining some further notes.
“Now is The Winter of Our Discontent” – Shakespeare’s play, Richard III
“I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other:
And if King Edward be as true and just
As I am subtle, false and treacherous,
This day should Clarence closely be mew’d up,
About a prophecy, which says that ‘G’
Of Edward’s heirs the murderer shall be.
Dive, thoughts, down to my soul: here
Clarence comes.”
It’s been mentioned that the ‘G’ being referred to in this tale is Richard III himself. However, I have a different hypothesis that borders along the same lines, and sets the stage for what I feel is what the whole ceremony was about.
While Richard is plotting a murderous scandal and rivalry between his two brothers, making it seem like the ‘G’ in the prophecy is his brother George, Duke of Clarence, he is of course referring to himself, Richard, Duke of Gloucester. – Yes. That is one theory. But the other theory is that the ‘G’ he is referencing is the Great Architect honored in the Freemasons.
In one way, he could be considering himself as the Great Architect, orchestrating a devious plan to pit his brothers against each other so that he can take over the throne. In another speculation, he is inviting the “Great Architect” to “dive, thoughts, down to my soul”. He is inviting this Grand Architect into his soul to give him insights into how to carry out his master plan.
This is just a theory, of course, but with more and more prevalence of the Freemason’s involvement in the way the world is being run, I’d say this theory holds just as much water (if not more) as anything else proposed.
“Hamlet” – William Shakespeare
“this most excellent canopy, the air, look you,
this brave o’erhanging firmament, this majestical roof fretted with golden fire
– why, it appeareth no other thing to me than a foul and pestilent congregation of vapours.
What a piece of work is a man! how noble in reason! how infinite in faculties!
in form and moving how express and admirable!
in action how like an angel!
in apprehension how like a god!
the 1400 beauty of the world, the paragon of animals!
And yet to me what is this quintessence of dust? Man delights not me- no, nor woman
neither”
– Act 2, Scene 2
“To be, or not to be, that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: ’tis a consummation
Devoutly to be wish’d. To die, to sleep;
To sleep, perchance to dream—ay, there’s the rub:
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause—there’s the respect
That makes calamity of so long life.”
– Act 3, Scene 1
“The rest is silence.”
– Act 5, Scene 2
Another tale from Shakespeare of political intrigue, corruption, doubts, revenge, insecurities, philosophies, life/death…
“The Tempest” – William Shakespeare
Caliban: “Be not afeard. The isle is full of noises,
Sounds and sweet airs that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometimes voices
That, if I then had waked after long sleep,
Will make me sleep again; and then, in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.”
Stephano: “This will prove a brave kingdom to me,
where I shall have my music for nothing.
Caliban: When Prospero is destroyed.”
– Act 3, Scene 1
Miranda: “O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O, brave new world
That has such people in ’t!“
– Act 5, Scene 1
Shakespeare’s history is a long and complicated one. There are many who theorize that Shakespeare wasn’t a real person, per se, but in fact was a pen name for Sir Francis Bacon, or a name given to Francis Bacon and some of his cohorts, in order to implant coded messages into these literary works.
Dr. Orville Ward Owen claimed to have invented a Cipher Wheel that could decode pertinent/hidden information in these publications. His attempts at discovering “the mystery” was unsuccessful for him, however.
There are several other theories involving Shakespeare, being Francis Bacon himself, was a secret heir to Queen Elizabeth I. Still, other theories claim that Shakespeare/Bacon was an incarnation of Saint Germain, known famously for his feats of extraordinary phenomena and purported alchemy, not to mention the notion of immortality.
“According to Stephen Wagner, Saint Germain is said to be linked to “several secret societies, from the Rosicrucians to Freemasons, Society of Asiatic Brothers, the Knights of Light, the Illuminati and Order of the Templars.”
“It Was the Best of Times, It Was the Worst of Times” – Charles Dickens’ A Tale of Two Cities
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way–in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.”
“This phrase points out a major conflict between family and love, hatred and oppression, good and evil, light and darkness, and wisdom and folly. Dickens begins this tale with a vision that human prosperity cannot be matched with human despair. He, in fact, tells about a class war between the rich and the poor. He also tells of a time of despair and suffering on one hand, and joy and hope on the other.”
Screenshots taken from: [Dickens], Material relating to Freemasons’ Hall Banquet given to Charles Dickens, 1867
“The Theologian’s Tale; The Legend Beautiful” – Henry Wadsworth Longfellow
“In his heart the Monk was praying,
Thinking of the homeless poor,
What they suffer and endure;
What we see not, what we see;
And the inward voice was saying:
“Whatsoever thing thou doest
To the least of mine and lowest,
That thou doest unto me!”
Unto me! but had the Vision
Come to him in beggar’s clothing,
Come a mendicant imploring,
Would he then have knelt adoring,
Or have listened with derision,
And have turned away with loathing.”
This whole poem is well worth the read, as it poses a philosophical contemplation on not only how do we know if we’re doing the right thing, but also a self-reflection as to our own beliefs and thoughts.
In this Longfellow poem, a Monk sees a vision of the Christ appearing right infront of him, but right before he is to set out on his duties to feed the poor. (The rich/poor separation of the social class is a huge subject for this country.)
The Monk asks himself, wouldn’t it be rude to leave this splendor, who took the time to honor him with his presence? Why would he want to leave this beautiful, glowing figure for a “crowd of ragged, bestial Beggars”? He was also concerned that the Vision wouldn’t be there when he got back, so was struggling with an inner conflict on what to do.
But he heard a voice telling him, ““Do thy duty; that is best; Leave unto thy Lord the rest!” which motivated him to head to the poor to feed them as was his custom and duty. However, it’s interesting that the lines don’t mention anything about doing this duty out of compassion and love for the poor. Just that it was his job to do so.
Regardless, the Monk does contemplate on the suffering that the poor endures, and after he hears the inner voice inside him say, “Whatsoever thing thou doest to the least of mine and lowest, that thou doest unto me!” he wonders that if the Christ had shown Himself to him in rags and beggar’s clothing, would the Monk still have heeded His words? If the Christ hadn’t appeared in a glowing like visage, would the Monk have treated Him with contempt and derision, and turn Him away to wait at the gate just like everybody else?
“Kubla Khan” – Samuel Taylor Coleridge
“In Xanadu did Kubla Khan
A stately pleasure-dome decree:
…
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
…
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!”
Samuel Taylor Coleridge
Making the infamous sign of the Hidden Hand of the freemasons
When researching freemason teachings, there are a lot of esoteric meanings that one can ascribe to the different symbologies and written prose/poetry, buildings, artwork, etc.
In the above poem, one could glean several different perspectives of what is being stated; however, what grabs my attention the most is the mention of domes and caves of ice. I made a post specifically dealing with the dome/firmament, so these references automatically stood out to me.
The others that were of particular concern are “by woman wailing for her demon-lover” and “ancestral voices prophesying war”. There are freemason teachings that believe that Eve conceived a race of people born from Lucifer. Another possible reference of this poem could be attributed to Kubal Khan, grandson of Genghis Khan, whom some speculate may have been a giant/nephilim, with Kubal Khan himself being a descendant/offspring of a fallen angel.
“Ode on a Grecian Urn” – John Keats
“What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these?
…
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.”
John Keats died at a very young age, allegedly from tuberculosis. Almost ironically, he was also studying medicine for several years, as well as becoming an accomplished poet. With his acquaintances and colleagues surrounding his interests and career pursuits, there may have been connections to some of the secret societies that are being proposed in this post.
“Jennifer Wunder makes a strong case for the importance of hermeticism and the secret societies to an understanding of John Keats’s poetry and his speculations about religious and philosophical questions. Although secret societies exercised enormous cultural influence during the late eighteenth and early nineteenth centuries, they have received little attention from Romantic scholars. And yet, information about the societies permeated all aspects of Romantic culture. Groups such as the Rosicrucians and the Freemasons fascinated the reading public, and the market was flooded with articles, pamphlets, and books that discussed the societies’s goals and hermetic philosophies, debated their influence, and drew on their mythologies for literary inspiration. Wunder recovers the common knowledge about the societies and offers readers a first look at the role they played in the writings of Romantic authors in general and Keats in particular. She argues that Keats was aware of the information available about the secret societies and employed hermetic terminology and imagery associated with these groups throughout his career.”
Source: [ https://www.routledge.com/Keats-Hermeticism-and-the-Secret-Societies/Wunder/p/book/9781138274389 ] “Keats, Hermeticism, and the Secret Societies”
“The Lion and the Unicorn” – George Orwell
“As I write, highly civilized human beings are flying overhead, trying to kill me.
They do not feel any enmity against me as an individual, nor I against them. They are “only doing their duty”, as the saying goes. Most of them, I have no doubt, are kind-hearted law-abiding men who would never dream of committing murder in private life. On the other hand, if one of them succeeds in blowing me to pieces with a well-placed bomb, he will never sleep any the worse for it. He is serving his country, which has the power to absolve him from evil.”
Aside from the lion and the unicorn being the symbols of the United Kingdom, with the famed Queen Elizabeth II presiding, it is also an essay by George Orwell (famous for his 1984 novel) on the social and political paradigm that we find ourselves in; with mentions of the rich/poor dichotomy that echoes the same sentiment as Charles Dickens’ A Tale of Two Cities.
There are many controversial and debatable points one can contend with when reading his essay, however, this post is not about that. With George Orwell’s mention at the 2012 London Olympics, the issue here is if we can connect this to secret societies and occult groups.
And yes, yes we can. Extensively.
This is a deep, dark rabbit hole, and I cannot do it justice in this one small section, but I can mention some possible connections of George Orwell to Aldous Huxley, Aleister Crowley, H.G. Wells, and the Fabian Society. I will say this, however: Aldous Huxley and Aleister Crowley have ties to the MK Ultra program, if not the very founders of this very nefarious project.
Which brings me to another reference with the same subject matter found within the 2012 London Olympics “newspaper art”:
“A Clockwork Orange” – Anthony Burgess
“Well, what they sold there was milk plus something else. They had no licence for selling liquor, but there was no law yet against prodding some of the new veshches which they used to put into the old moloko, so you could peet it with vellocet or synthemesc or drencrom or one or two other veshches which would give you a nice quiet horrorshow fifteen minutes admiring Bog And All His Holy Angels And Saints in your left shoe with lights bursting all over your mozg.”
I want to point out a very strange word in the midst of… even more strange words.
The term “drencrom” I’m sure may catch many people’s eyes, especially with all of the “conspiracy theory” talks of adrenochrome making its rounds through the internet. And as it is used in this context as a drug being put into milk (there is also mention of synthemesc – synthetic mescalane), not to mention the “horrorshow” quote, it is quite obviously alluding to psychedelics.
In addition to that, the novel “A Clockwork Orange” also employs mind control/brain washing techniques reminiscent of MK Ultra. MK Ultra using LSDs, amongst other deplorable techniques, in order to reach their goals.
We could also mention Stanley Kubrick’s movie rendition of A Clockwork Orange, and point to his other film, Eyes Wide Shut, an EXTREMELY overt exposé into the occult rituals of freemasonry. If one would like a deeper analysis, please go here.
“Look Back in Anger” – John Osborne
“Trouble is—Trouble is you get used to people. Even their trivialities become indispensable to you.”
(Act I, Page 33)
“Jimmy’s greatest annoyance regarding Alison is that she appeases everyone. She has no conviction, which is, he believes, almost like not being human.”
Source: – SuperSummary | Look Back in Anger
“Nobody thinks, nobody cares. No beliefs, no convictions and no enthusiasm. Just another Sunday evening.”
(Act I, Page 17)
“Jimmy equates the fact that neither Cliff nor Alison “think” to the larger issue of England as a society having no beliefs or convictions any longer.”
Source: – SuperSummary | Look Back in Anger
“The only way to keep things as much like they always have been as possible, is to make any alternative too much for your poor, tiny brain to grasp.”
(Act I, Page 20)
“Jimmy ridicules Alison’s brother Nigel, and suggests that those incapable of thought or conviction go to great lengths to ensure that they are unable to understand a more constructive path than the one they are on, in order to protect their own comfort.”
Source: – SuperSummary | Look Back in Anger
A lot of these summaries reflect the current state we’re in today, if not the same stages repeated throughout humanity’s history… Many people don’t want to admit that there’s something sinister at work in the world. So rather than confront the truth and reality of it, they remain passive and compliant; willfully ignorant to the depravities and secret inner workings of who is in control of the world. They protect themselves, they think, by turning a blind eye in order to maintain their comfortable way of living, not realizing that they are instead propagating their own subservience and diminishing their own spirituality and capabilities.
While John Osborne regales of the marital discourse and disagreements when addressing social/political interests, it casts a foreboding look on our society and the indifferent, apathetic attitude many have at the events that surround us, as long as it doesn’t affect their own. And even then, the indoctrination of us to “do as we’re told” keeps many under this authoritarian rule.
“Do not go gentle into that good night.” – Dylan Thomas
“Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.”
Beatles’ Sgt. Pepper’s Lonely Hearts Club Band Album Cover
I could speculate as to what the meaning of this poem is, some propose it could have been Dylan Thomas dealing with reactions of grief and loss concerning his sick father at the time since Dylan mentions him specifically (I, on the other hand, have a completely different theory), but I would rather draw attention to Dylan Thomas’ career and how it got started in the first place.
Victor Neuburg, a prominent author and publisher who was the catalyst who thrust Dylan Thomas’ work in the spotlight, also had quite the relationship with Aleister Crowley. There are also indications that Crowley and Neuburg were trying to induct Dylan Thomas into their order as well. But as one site has commented, Thomas was not too pleased with either of these characters, for some reason or another. The site was rather explicit, so I do not feel comfortable linking to that particular article… but here is another one for consideration, speaking of Dylan Thomas’ affiliation with this mysterious duo.
Dylan Thomas was also the inspiration for Bob Dylan to change his last name from Zimmerman to Dylan. And there is another compelling tale of Bob Dylan, striking a deal in order to get his fame:
“I made a bargain with … the Chief Commander … [of] this earth, and the world we can’t see.” – Bob Dylan (60 Minutes, 2009)”
One more interesting correlation that I want to bring attention to, which is another huge deep dive into “conspiracy theory” territory: Bob Dylan, Dylan Thomas, and Aleister Crowley are all featured on the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album cover.
“The Hollow Men” – T.S. Eliot
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
…..For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
…..Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
…..For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
“The Hollow Men” begins with a quote from Joseph Conrad’s famous novella Heart of Darkness, the story of a colonial Englishman who goes power-hungry in Africa, and things only go downhill from there. Eliot’s poem is about a group of scarecrow-like individuals who exist in a state between life and death and suffer from a serious case of moral paralysis. They are forever trapped on the banks of the River Styx, the ancient Greek symbol for the dividing line between life and death. Some critics consider “The Hollow Men” to be a companion piece for Eliot’s most famous work, The Waste Land, another poem about moral paralysis.”
…
The irony is that Eliot really disliked journalists. He thought they were just like the “hollow men” of this poem, and that the politicians and newspaper editors in Paris weren’t even capable of making enough of a splash to get into Hell (source). When you read the final lines of “The Hollow Men” in light of the rest of the poem, you’ll see that the poem is not so much about the end of the world as about people who sit around and talk without ever trying to put their beliefs or ideas into practice. The poem’s message is dark: if you’re not going to be a good person, then at least be a really bad person.”
Commentary from: T.S. Eliot – The Hollow Men
The above commentary and proposed implications of The Hollow Men is perhaps (not-strangely) reminiscent of Bohemian Grove and The Cremation of Care ritual that is said to happen there. Creating “hollow men” who don’t feel as normal human beings do, and instead will do anything and everything to accomplish their goals…
If that wasn’t concerning enough, there is an account of Queen Elizabeth II being honored by the Bohemian Club in 1983, according to John Daniel’s “Scarlet and the Beast | History of the War Between English and French Freemasonry Vol. 2.”:
“On February 3, 1983, a five-minute segment of the Bohemian Club’s extravaganza in honor of Queen Elizabeth was aired on all three television networks. The event began with a view of the Queen sitting slightly high in the middle of the auditorium, as if on top of a pyramid. Two dancers entered the stage wearing huge hats hanging from cables. The cone of the first hat was representative of a walled city with a pyramid or ziggurat towering in the middle. Obviously, it portrayed ancient Babylon. At the base of the pyramid two doors continuously flapped open and shut displaying inside a large picture of Prince Charles, successor to the British throne, and his wife, Princess Diana. As the dancer in the hat moved stage right, the second dancer entered from stage left. The cone on the second hat portrayed the city of London, with Big Ben towering in the center.
…
That night the Bohemian Club, an arm of Templar Scottish Rite Freemasonry, acknowledged London as the seat of Mystery Babylon. Queen Elizabeth accepted that acknowledgment. If London is the city that the Apostle John saw in his vision, Queen Elizabeth’s life and nation will be short-lived if Jesus Christ does not tarry — for who knows better the headquarters of its rival than the ruthless French Knights Templar Scottish Rite of Freemasonry.”
For the grand finale, while the flames are being extinguished, ending the 2012 Olympics, we can see an interesting perspective that the cameraperson oh-so artfully executed, implicating who this whole performance was for:
I did not cover any of the other (numerous) masonic symbols and strange innuendos from this performance since I just wanted to concentrate on the literary works that were being shown to the audience (and again, this is not an exhaustive list, but I will add to it as I become aware of and investigate other references). And as we can see, there are a ton of not only subtle nods to the secret society of the freemasons, but DIRECT and overtly obvious affiliations.
But if all of that wasn’t enough to convince you, here is a report by a Romanian Masonic Press Agency made on July 27, 2012, a few hours before the Olympics were to start (translated using translate.com):
Francmasonii la Jocurile Olimpice de la Londra
vineri, 27 iulie 2012
Londra, Regatul Unit. În mai puţin de cinci ore va începe ceremonia oficial de deschidere a Jocurilor Olimpice 2012, eveniment găzduit anul acesta de Regatul Unit în Londra. Începând de astăzi şi timp de aproximativ două săptămâni, Masoni din întreaga lume sosesc la Londra pentru a participa la cel mai mare eveniment planetar care omagiază excelenţa sportivă.
De la şefi de stat şi de guverne la miniştri, oficialităţi de rang înalt, până la simplii participanţi şi atleţi, toţi urmază a lua parte la evenimentul din această seară, ceremonie prezidată de însăşi Regina Elisabeta a II-a, care va deschide Jocurile Olimpice 2012.
La Jocurile Olimpice de anul acesta vor participa şi mai mulţi Masoni din întreaga lume, mare parte dintre aceştia provenind din Statele Unite, Regatul Unit, Australia, Noua Zeelandă, Brazilia, Canada, Mexic, dar şi din ţări precum Franţa, România, Italia, Spania, Argentina etc.
Totalul Masonilor care vor fi prezenţi în Londra în următoarea perioadă variază între 6.000 şi 8.000, neluând în calcul prezenţa membrilor Marii Loji Unite a Angliei, Marii Loji a Scoţiei şi pe cei ai Marii Loji a Irlandei.
Freemasons at the London Olympics
on Friday, July 27, 2012
London, United Kingdom. In less than five hours, the official opening ceremony of the 2012 Olympic Games will begin, an event hosted this year by the United Kingdom in London. Starting today and for about two weeks, Masons from all over the world arrive in London to attend the largest planetary event that pays homage to sports excellence.
From heads of state and government to ministers, high-ranking officials, to mere participants and athletes, all are to take part in tonight’s event, a ceremony chaired by Queen Elizabeth II herself, which will open the 2012 Olympics.
This year’s Olympic Games will be attended by even more Masons from all over the world, most of them coming from the United States, the United Kingdom, Australia, New Zealand, Brazil, Canada, Mexico, but also from countries such as France, Romania, Italy, Spain, Argentina, etc.
The total number of Masons who will be present in London in the next period varies between 6,000 and 8,000, not counting the presence of members of the United Grand Lodge of England, the Grand Lodge of Scotland and those of the Grand Lodge of Ireland.
” – we shall unleash the revolutionary nihilists and atheists, and provoke a formidable social cataclysm, which will demonstrate clearly to the nations, in all its horror, the effect of absolute unbelief, mother of savagery and of the bloodiest disorder. Then everywhere, the citizens, obliged to defend themselves against the mad minority of revolutionaries, will exterminate these destroyers of civilization; and the countless disillusioned adonaites, whose deist soul have up until that time remained without a compass, thirsting for an ideal, but not knowing which God is worthy of tribute, will receive the True Light, by the universal manifestation of the pure Luciferian doctrine, at last made public, an event that will arise from a reactionary movement following the destruction of atheism and adonaism, together at the same time vanquished and exterminated.” – Albert Pike, 33rd degree mason
In some renditions, the term ‘adonaites’ and ‘adonaism’ is considered as Christianity.
We have to realize, there is a lot in this world that most of us still don’t understand, and we have to start pondering and researching our history and the ancestry that has been passed down through the ages.
Maybe then we can start making some real progress in the world, and let it grow and develop it in compassionate and love that it should, instead of sinking into chaos and corruption the way these societies are aiming for.
Fact checking is extremely important. I want to reiterate not to take everything at face value; no matter what you read, where you read it from, or who you hear it from. And to be clear, do not rely on “fact checking” websites to give you accurate information either. These are just as likely, (if not even more likely…), to feed false information and false debunking accounts to manipulate the reader. Please take everything into consideration before adhering to a certain narrative – and always keep your mind open to other possibilities.
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